Best cine prime lenses for the Sony a7 III and a7S III. This means that they are able to maintain consistent focus across the throw of the lens. On the medium-budget side of things, there are two lines, both of which are good: I prefer the Zeiss CP.3 (Amazon, B&H) line, for these reasons: For the serious professional, the Zeiss CP.3 (Amazon, B&H) line offers the most focal lengths, if you want the entire range, that is. There are also manufacturers such as Sigma, Tamron, Rokinon and Fujinon that offer the same lens across several different mounts. what is a cine lens and how is it different from photo lenses, Cooke Anamorphic/i Full Frame Plus Prime Lens. These are two features usually found only on high-end lenses. This means the plane of focus will be thinner. It’s no wonder so many people agonize over new lens purchases. Aperture Control: Older lenses had manual aperture control in the form of a ring, just like the focus ring, that twisted to stop up or down. This is the wider version of the Sigma cine zoom lens, and it doesn’t disappoint. Francis Joseph D'Costa January 22, 2019 Blog No Comments. All lenses share a T-stop range of 1.5-22, are tack sharp, and are built for full-frame sensors. Veydra mini primes have been one of the great innovation of the last years. Internal zooming lenses are a better choice when accessories such as matte boxes are a factor. Sigma has been a top camera lens brand for years, so we thought it’d be helpful to put together a list of the best Sigma camera lenses for all of the top brands like Canon, Nikon, Sony, and cine cameras as well. So, it seems there are plenty of options in the market both used and new for this camera and in all the price range. Cine lenses have the ability to focus on moving objects and smoothly toggle focus from one subject to another. The image is a little soft when the aperture is wide open but closing down a stop or two brings good quality and sharp image. If you’re on a budget, I recommend the Rokinon DS line. Optical performance; Build quality ; Color-matched to other Zeiss cinema lenses; Weaknesses. You’ll also find that most manufacturers, including Canon, Nikon, Sony, Sigma and Tokina, make very similar 24-70mm zoom lenses. But, if you use a lens for a crop sensor on a full frame camera, the image will only cover a portion of the sensor. Better brand recognition, rental and resale value. This makes them more likely to keep their place in your arsenal over time. The lenses are designed for APS-C/Super 35mm cameras. The Sigma Cine T2 is a stellar performer in low light, and offers a T2 stop throughout the entire zoom range. One of the only drawbacks of these lenses is that the image becomes difficult to focus at T-stops wider than T2.8. If you’re a hobbyist looking for a more affordable alternative, the Yongnuo YN 50mm f/1.8 Lens may be a perfect fit. So where do you begin in buying lenses? You can purchase the Canon EF 70-200mm f/2.8 IS III USM for just $2,100. Necessary cookies are absolutely essential for the website to function properly. There’s a slight difference in color and contrast between the 16mm and 25mm, with the 16mm favoring more punchy, bluish tones and the 25mm favoring more neutral, greenish tones. Were the brands more continuous over time, or were lenses more similar to other lenses made at the same time? Fujinon’s super lightweight MK T2.9 series lens offers shooters immense versatility in both studio settings and run-n-gun shooting scenarios. Likewise, lenses with wider maximum apertures will usually be more expensive. When choosing a lens based on focal length, you’ll also want to consider your camera’s sensor size. The Canon EF 70-200 f/2.8L IS III USM features 4-stop Image Stabilization which will help to deliver stable footage when shooting handheld. Furthermore, both lenses offer a macro mode, enabling you to shoot objects placed within inches of the lens. The iris also influences the appearance of bokeh — or blur— in your image. The Sigma 24-70mm f/2.8 has a solid build quality and weighs in at nearly 2lbs. You also have the option to opt-out of these cookies. The build quality of the lens is superb and the body is sealed to be water and dust resistant. Same position for aperture and focus wheels. Cine lenses are different from still lenses in a few ways. This 800mm full frame equivalent is enormous compared to lenses for the micro four-thirds mount, and most of all it has an IS that allows to shoot handheld with the pocket. The only downside to this lens seems to be the variable aperture that goes from f2.8 up to f4 when zoomed in at 18mm. Sigma lenses are some of the best options for popular camera brands including Canon, Nikon, Sony, Pentax, Leica, and cine options. Given it’s Micro Four Thirds lens mount, this camera opens up to some interesting lens choices besides the usual suspects. On newer lenses, you might even lose the ability to change your aperture. This site uses Akismet to reduce spam. Althought a simple speed booster can accommodate any EF lens, this lens mount has some great native lenses available. A lens with a longer focal length will bring the viewer closer to the action with more space compression in the image. It’s not just that there are dozens of cameras to choose from, it’s that each one offers... All the latest video techniques and gear reviews, sent straight to your inbox. Fewer elements in prime lenses also leads to generally sharper images compared to equivalent zoom lenses. We give you a list of The Best 4K Cameras ($12,000 Max Price). Contributors to this article include Erik Fritts, Robin Cripe and the Videomaker Editorial Staff. Not really that wide at 28mm, and not really that telephoto at 135mm. Its f/2.8 max aperture is constant throughout the full range of the zoom, providing an admirable shallow depth of field. When you shop for a new lens, make sure the one you choose will attach to your camera. The Canon EF 70-200 f/2.8L IS III USM weighs over 3lbs and it comes with a tripod mount ring to relieve the strain from your camera’s lens mount. Remember: what matters more is the creative force behind the concept and the gear. These are my suggestions for the best Canon lenses for video and cinema work. The focal length range on this lens is really nice. He works as a writer, director, and content producer here at StudioBinder. Lens breathing on both the 16mm and 25mm is almost non-existent. However, where these fall short are they are not all the same length, size or weight, which cine lenses are supposed to be. Telephoto lenses are great options for filming at a distance, while wide-angle lenses allow you to capture expansive scenes. ZEISS Cinema Zoom lenses feature exquisite optics in a robust, durable package – two characteristics that will surely remain desirable for decades to come. All this eats up precious time on set. From backwards-talking aliens to ... igma has been a top camera lens brand for years, so we thought it’d be helpful to put together a list of the best Sigma camera lenses for all of the top brands like Canon, Nikon, Sony, and cine cameras as well. Great construction quality, with a great character, wonderful bokeh. This category only includes cookies that ensures basic functionalities and security features of the website. The products must also deliver a superior user experience. This glass is a little bit darker as it goes down to f1.4 when wide open but has a very small focusing distance that makes it almost a macro lens. Yes, and no. Lastly, it also color matches with its zoom cousins (below). purchased as a bundle for less than $1,700, available for purchase for less than $350 each, Both lenses can be purchased for less than $7,800 all-in, Buyer’s Guide: The Best Macro Lenses on the Market, Video Tutorial: The Best Lenses for Gimbal Cinematography, 5 Reasons You Should Purchase a “Nifty Fifty” 50mm Lens, How to Create Foreign Language Subtitles in AVID, Creating and Ingesting Proxies in AVID Using DaVinci Resolve, 6 Lifesaving Hacks for Cropping Your Footage to a Wider Aspect Ratio, Insights into the Cinematography of the Award-Winning Docuseries “Tales By Light”. Best Lenses for the BMPCC 4K You Can Currently Get. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. AF: Autofocus can be a useful feature, but unless the camera supports continuous autofocus, it’s just not as useful for video work as it would be for stills. Ask yourself: Will you buy the 28-135mm cine zoom (B&H, Amazon) if there were other options available? It is for the video shooter for whom convenience of a single zoom outweighs all the negatives. This is a perfect entry point for a filmmaker looking to get a bit more serious about the craft. Both the 16mm and the 25mm are available for purchase for less than $350 each. A lens that has an F-stop of f/1.2 might have a T-stop of t/1.4, representing a .2 loss of light. You’ll still need to consider sensor size and lens coverage when using an adapter. This versatile, high-speed zoom lens may not be as refined as pricier options but there isn’t anything they can do that the Tamron 28-75mm F/2.8 can’t. This is a lens that will capture images in 8K really well. When choosing Sigma camera lenses, make sure to select the appropriate mount type for your specific camera. Should you stick to the Sony E mount, or should you opt for a better mount? An additional support for heavy lenses so the E-mount isn’t taxed. EF/PL/E Mount; 35mm/APS-C; Max: t/2; LensProToGo. Primes are okay, but not for handholding. The constant maximum aperture of f2.8 gives a great low light performance and image sharpness is excellent even wide open. Drool over this, the most popular lens among wildlife documentary filmmakers: Canon CINE-SERVO 50-1000mm T5.0-8.9; That’s it! Assuming you have an excellent adapter that has been shimmed for focus accuracy, it also allows you these benefits: If you have a limited budget, then don’t look further than a Samyang/Rokinon Cine DS prime set (Amazon, B&H): I would start with a four lens set: 24mm, 35mm, 50mm and 85mm T1.5. Once you determine compatibility, focal length will likely be the deciding factor in which lenses you purchase. This lens has image stabilization which is important for video, and while it is relatively expensive, it does come in at a better price point than Canon and Nikon versions of the same lens. These Sigma cine zoom lenses are a great choice for professional cinematographers, and they are really compact and well priced considering the price for a similar Zeiss zoom lens is twice as much. Lastly, it also color matches with its zoom cousins (below). The Sigma 18-35mm f/1.8 DC HSM Art lens has numerous measures against aberrations that will ensure crisp, clean images for users of all skill levels. Click here to read my comparison of full frame lenses for large format sensors. What for you may ask? Ask any wildlife or sports photographer what their favorite telephoto lens is and they’ll likely reach for their Canon 70-200mm telephoto zoom. The focus ring rotates past 270 degrees to give you a sufficient focus throw. The Iris has 9 blades, so bokeh is nice and round. Canon’s L-series glass and Super Spectra coatings limit flare and ensure the highest image quality in terms of color and contrast. Following up in our list comes the Panasonic Leica 12mm Summilux. It’s also generally affordable with prices ranging from a several hundred dollars to a couple thousand depending on mount and manufacturer. There isn’t even an anamorphic desqueeze option in camera. The auto-focus is quick and somewhat quiet, but there have been a lot of reported auto-focus issues with Sigma. For use in Premiere, Final Cut Pro, and After Effects. Let’s start off with the Panasonic Leica 42.5mm Nocticron. It tends to be larger and heavier than a still lens, with internal focusing designs so the lenses don’t physically change, making them easy to use with matte boxes. Once you know what focal length you want, you’ll want to consider the speed of the … Because of these demanding specifications, they are often considerably more expensive than similar still lenses. This is an important consideration. Top 10 Best Cinema Lenses Canon Reviews Of 2020. However, Meike plans to release a 12mm, 35mm, 50mm, and 85mm sometime in late 2019. It’s the Sigma 18-35mm f1.8. But opting out of some of these cookies may have an effect on your browsing experience. Lenses are key to making your favorite camera create the images you envision. The quality doesn’t come cheap, however, and purchasing this lens will set you back. As of 2019, many manufacturers have come out with full frame cine lenses in the top range. Build quality of the Sony G Master 85mm is very high and while the lens isn’t fully weather-sealed it offers dust and moisture resistance. You’ll usually only find T-stops on cine lenses, since filmmakers especially value the consistency in exposure they provide. Technical Specs: Color matches Cooke S4 Covers 2K/4K/5K cinema Cam-style focus Aperture range: T2.8 (standard on all lenses) Another lens from Sigma’s well-regarded Art line, the Sigma 24-70mm f/2.8 DG OS HSM Art features a flexible zoom and a variety of focal lengths making it adaptable to just about any shooting environment or project. Jingle All the Way — A Complete Deconstruction of the Capitalist Machine, How to Choose the Right Camera Lenses – Complete Buying Guide. The Star Wars universe has given the world so much. The Sony FE 20mm F1.8 G is a large-aperture ultra-wide-angle prime lens meant for portraits, astrophotography, landscape and street photography, as well as video. As a part of Sigma’s Art line of lenses, the Sigma 18-35mm f/1.8 DC HSM Art is built for use in creative endeavors. This will result in heavy vignetting of your image. It holds up with the classic lens brands like Canon and Nikon, and give a really sharp picture edge to edge. The Sigma 24-70mm f/2.8 DG OS HSM Art is a great all-purpose lens. It’s noted as the maximum width to which it can open. Sigma 35mm T1.5 Cine Lens: This exceptional new high-speed prime lens covers full-frame sensors, is suitable for capturing ultra-hi-res 8K video in low light, provides apertures from T1.5 to T16, and has standard 0.8-pitch gears on its long-throw … This connection is known as the mount. I hope you’ve found my suggestions useful. The aperture is the opening in the lens that allows light to enter the camera. These lenses are available in six different focal lengths (14mm, 24mm, 35mm, 50mm, 85mm, 135mm) and are available in four different lens mounts (Canon EF, Sony E, Micro Four-Thirds, Nikon F). Be sure to check out these awesome PremiumBeat resources on building your lens kit: Experience the best TheBeat has to offer. This website uses cookies to improve your experience. Cine primes are much more common and affordable than cine zoom. This is a really sharp lens that works really well for portrait photography, but also as a nice filmmaking lens for telephoto uses. They can have a long or a short throw, covering a wide range of focal lengths or only a very narrow range. The best online film school for serious filmmakers. Job Description and Duties. However, all PL-mount lenses must interface with an adapter, so the adapter must be strong, stable and must provide good support so the E mount is not strained. Click here to read my comparison of full frame lenses for large format sensors. Let’s look at five solid investments. Plus Irix Cine Lenses are available in most of the major mounts like EF, E, MFT and PL. The Sigma Cine T2 series includes two zoom lenses at the focal lengths of 18-35mm and 50-100mm. For one, they often have a more robust build and lower tolerance for variation in their specs. Zoom lenses come in two varieties: internal zooming and external zooming. Not only that, the image is sharp making it a good all-rounder. It lacks some of the more advanced features of its expensive rivals, but for everyday shooting, there is little this lens can’t do. That’s almost like magic. Get Instant Access! Lenses with focal lengths between 20mm and 100mm are much more common in video production, with 50mm lenses more or less approximating the field of view of the human eye. If you lose digital communication, you lose the ability to autofocus. Which Sony A7S III Video Mode Looks Best? The Rokinon Cine DS series is one of the most popular bang-for-your-buck lens sets out there. Think we missed something great? The Videomaker Editors are dedicated to bringing you the information you need to produce and share better video. The a7 III, a7S II and a7S II only allow for 16:9, so a 2x squeeze will result in an aspect ratio of 3.55:1, and you’ll be forced to chop off the sides to get 2.39:1. If yes, then this one is for you. Let’s not be under the impression that Rokinons/Samyangs can replace real cine lenses, but for bang for buck – they are unmatched. This is the longest of all the Sigma cine lenses, and it really nice. The lens is the most important part of a camera. Yet another Panasonic Leica, but this time it’s a zoom, the Vario-Elmarit 8-18mm. Additionally, it features a customizable focus-hold button and aperture ring with a click on/off switch. If lenses are the same length, you don’t have to reposition the matte box with every lens change. All of the Sigma art lenses are really fast, and because of this you can achieve really shallow depth of field. Here are its advantages over the Samyang cine lenses: For those who don’t know, DS lenses are rehoused Rokinon primes with the focus and iris rings all at the exact same distance, so you don’t have to change follow focus or iris gears with every lens change. It would be the rare individual who will buy a $20K zoom for a $3K camera. Best Sigma Cine Lenses Sigma 50-100mm T2 High-Speed Zoom Lens. Constant f1.8 max aperture at all focal lengths, Not suitable for use with full-frame sensors, Color-matched to other Zeiss cinema lenses. Another fast prime lens with a lot of the same qualities of the 50mm. Lenses are a major investment and not everyone can afford to shell out over a thousand dollars for a high-end option. The ZEISS CP.3 lenses feature advanced lens coatings, painted lens rims and special light traps within the barrel to eliminate unwelcome veiling glare and flares. There’s little the Sigma 18-35mm f/1.8 DC HSM Art can’t do. Sigma seems to have focused purely on Sony and Leica when it comes to mirrorless mount compatibility, but they may soon have more options. The Canon EF 50mm f/1.2 USM can be a difficult lens to master as its low aperture will easily lead to overexposure but, for those confident in their abilities, the degree of control and precision provided by this lens is unparalleled. They can be found for almost any combination of mounts. Since full frame sensors are the largest, the image from a full frame lens will cover a smaller sensor. Canon released the first version of this industry-standard telephoto in 1995. This can be a handy feature when using lenses on a camera that doesn’t have digital communication. Expensive for what you’re getting. Focal length is usually the first number denoted in a lens description and is measured in millimeters. With a bright maximum aperture and eight blade diaphragm, this is another lens well-suited for working with low lighting and provides a stellar bokeh. The FE 20mm F1.8 G is dust and moisture resistant and has a fluorine front element coating. The Sigma Cine T2 series is a re-housing of the wildly popular Sigma Art lenses. Because you have to crop from 3.55 to 2.39, the 84mm becomes a 125mm equivalent!! The E mount isn’t really designed to hold heavy cine lenses, especially zooms. EF mount lenses will work on EF-S cameras, but EF-S mount lenses will not even attach to an EF camera. Irix Cine Lenses are a good choice for novice to professional filmmakers and they retail for a fraction of the cost of higher-end lenses. This is the widest of the Sigma art lenses on this list, and it also happens to be the most expensive. Lenses at the extremes — super wide or extreme telephoto — are generally only used to achieve a specific creative effect. Think of a shot where the subject is in focus and the background is very blurry; it was probably done with a wide open aperture, like f/2.8 or wider. A certain amount of light that comes into the lens is lost as it moves through the lens and camera. Yet another zoom that works great when attached to a speedbooster, and at f2.0 once boosted it may not be crazy fast like other lenses on the list, but still a great aperture to work with. Definition, Examples in Literature & Film, What is a Grip on a Movie Set? The optical system has 11 optical elements in 9 groups — including 4 HR lenses, 1 ED lenses, and 1 ASP. This lens focuses quickly and easily while providing a great deal of control, making it a good choice for both amateurs and professionals. The 24mm, 35mm, 50mm, and 85mm can be purchased as a bundle for less than $1,700 — making this set of cine lenses an unbeatable bang-for-your-buck option. There are few lenses that offer as much bang for their buck as the Tamron 28-75mm F/2.8. They ensure a low level of distortions and aberrations. This feature makes cine zoom designs much more complex and expensive to manufacture. 2. If coupled with a speedbooster you get more or less a 22 to 45mm f1.2 lens, and that’s insanely fast. Using one can cut up to a full stop from your exposure. Sensors smaller than full frame come with a crop factor that will increase the effective focal length of your lens. These Sigma cine zoom lenses are a great choice for professional cinematographers, and they are really compact and well priced considering the price for a similar Zeiss zoom lens is twice as much. Is it really value for money? The Canon EF 50mm f/1.2 USM offers a usable level of sharpness even at maximum aperture and filmmakers will looking for extremely shallow depth of field won’t be disappointed. This macro lens give you some really nice bokeh, it is super compact and lightweight. The Best Lenses for the Sony a7 III for Video. The Rokinon Cine DS series is one of the most popular bang-for-your-buck lens... One of the Best Wildlife and Sports Lenses (and Yes — it Isn’t a Cine Lens). Although they allow you to use a wider range of the lenses, adapters also have drawbacks. Tell us about it in the forums. Learn how your comment data is processed. Sigma has successfully gone to great lengths to become the an alternative option for lenses for many DSLR, and (some) mirrorless cameras. The Editors’ Choice award recognizes exceptional video production equipment, software and services. No image stabilization, but the macro ability is really useful. Most Cine lenses offer manual aperture control, but still photography lenses might not. They feature a front diameter of 95mm, which is smaller … Zeiss CP.3 $4,390.00 at B&H Video View Price at Amazon . A cheaper and lighter version is available with a maximum aperture of f/4 for $1,100. External zooming lenses are more common and more affordable. Additionally, while new video cameras are being made every year, the technology in optics just doesn’t advance as fast. While we have more options and more technology than ever before; buying a new camera has never been more difficult. If Sony releases a 6K sensor, then you can use the traditional 35mm anamorphic area with traditional anamorphic lenses. It’s a useful storytelling tool when used deliberately. The lens features a Hyper Sonic Motor for powerful focusing capabilities and full-time manual focusing override. Unless you specifically want this look, avoid using a lens made for a smaller sensor on a larger format camera. You can easily keep moving subjects in focus by gently adjusting the focus ring and following through as the subjects move. Its autofocus features are not as robust as the higher-end zoom lenses but it more than makes up for that with its affordability. Given a choice, cine lenses are better off with the PL mount. These suppress chromatic aberration and promise corner-to-corner image quality and minimal distortion even at the maximum F1.8 aperture. Because cinematographers value consistency, cine primes are often sold in sets. It would be the rare individual who will buy a $20K zoom for a $3K camera. Another important factor of your lens purchase is the sensor format of your camera. It costs about $1,650 for the set. These are the best lenses available today. Credit: Vintage Cinema Lens Library . eval(ez_write_tag([[300,250],'4kshooters_net-box-3','ezslot_6',143,'0','0']));As the shippings start to come in, the Blackmagic Pocket Cinema Camera 4K seems to be all the rage now. Partner with us to reach an enthusiastic audience of students, enthusiasts and professional videographers and filmmakers. The narrow focus ring is at the front of the lens body and you would struggle to attach a focus gear for use with a follow focus. Required fields are marked *. This seems like the perfect match in size for a pocket camera. The lens features a minimum focus distance of 7.5 inches and max magnification of 0.2 times. Plus, its seven blades iris means it will operate admirably with selective focusing techniques. It’s also a good choice for those who want the cinematic look of super shallow depth of field. What happens if you use 2x on the a7S II and a7R II in APS C mode? Reference ID: #182d7500-01b6-11eb-ac42-4fa38f459e00, If you think you were blocked by mistake, contact the site website administrator at info@adorama.com. There is no denying the fact that shopping for cinema lenses canon is stressful and anxious where your mind is always overwhelmed with a lot of questions. Not only is it versatile, but it has been field tested by rental houses over many years, and have worldwide sales and service. This article will help you understand some of the key features that distinguish different lenses. Both lenses are only available in Sony E and Micro Four-Thirds lens mounts, and are designed for Super 35mm sensors. eval(ez_write_tag([[336,280],'4kshooters_net-leader-1','ezslot_9',147,'0','0']));Last but not least a classic choice, the Zeiss Planar 50mm and Zeiss Planar 85mm, both f1.4. Great bokeh, even at the slower aperture rating. The lens offers a constant f/2.8 through the entire zoom range, and its Optical Image Stabilization allows you to shoot a rock steady image — even at 200mm. The post helps you understand 4K and features a great list to help you choose a camera. A cinema lens is built for life on set and usually has a durable all-metal body. Stryker: I think it was really kind of interesting to see the patterns from the 1940s through the 1960s. As of 2019, many manufacturers have come out with full frame cine lenses in the top range. eval(ez_write_tag([[300,250],'4kshooters_net-banner-1','ezslot_7',145,'0','0'])); Continuing in the series comes the Panasonic Leica 12-60mm. On the other hand, prime lenses will often have a faster, or wider, maximum aperture than zooms. Ideal for portraitures, the Sony G Master 85mm features a maximum f-stop of 1.4, providing a stunning depth of field effect and making this another lens well-suited for low light shoots. More blades lead to a more circular opening, producing smoother, more pleasing bokeh in the defocused areas of the image. Star Wars Lightsaber Duels — What Makes Them Great? This lens isn’t cheap but its robust, weather-sealed construction makes this a solid investment for the discerning photographer. This is one of the best zoom lenses Sigma has to offer. Constant aperture at f/4, which is not bad for both the a7 III and a7S II or a7S III, because both have great low light performance. This isn’t a cinema lens, but you’ll be hard-pressed to find another telephoto zoom that gives you the quality and value at this price point. Many shooters will stress that investing in good lenses is more important than buying fancy camera bodies. Computers & Accessories. Access to this page has been denied because we believe you are using automation tools to browse the website. Available in 15mm T2.9, 25mm T2.1, 35mm T2.1, 50mm T2.1 and 85mm T2.1, each lens in the line features improved ergonomic design compared to the line’s CP.2 predecessors, 14 blade diaphragms and improved protection against aberrations and reflections.
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