With a 24Mpix modern sensor this lens show its limit : it still provides good performance in the centre wide open , but corners are soft. You cannot copy more than 20 words from any of our posts. https://tokinalens.com/product/at_x_116_pro_dx_ii/. La stabilisation optique est un must et permettra d’utiliser l’objectif sans aucun souci sur tous les boitiers Sony APSC, L’objectif comporte toutefois des compromis avec une très importante distorsion qui nécessitera des corrections obligatoires, une faible ouverture qui fera grimper les ISOs très rapidement , une résistance au flare moyenne et une distance minimum demise au point assez (trop) importante, L’objectif n’atteint pas l’excellence du Sony E 16-55mm F2.8 G en terme de rendu des couleurs et de bokeh mais globalement c’est un excellent objectif pour son prix et un zoom très polyvalent, The Samyang 85mm F1.8 ED UMC CS is an excellent lens, Le Samyang 85mm F1.8 ED UMC CS est une optique de très haut niveau, Very few lenses can fully exploit the full potential of the 24Mpix sensor, if you are using mostly prime lenses then the trio of Sigma lenses is the way to go, If you want to use Zoom then the best lenses are the new Sony G, If you are ok with manual lenses the below lenses provide excellent results. It focuses only on the resolving power of the lens = sharpness, Optical sharpness on APSC is obtained around F5.6-F8 at F11 diffraction is already visible and reduce the sharpness. I am super happy with my Sigma 19, 30 and 60 for critical work on my a6300. The lenses have a toggle which allows you to zoom in and out with the help of a super quite and smooth zoom motor built into the lens. My Sony FE 24-70mm f/2.8 GM Lens Review – Lab, Real world, Photo, and Video! You need to fast af focus motor inside the lens to insure accurate captures of high speed moving subjects, and for low light you will need fast glass! The E 16-50mm for example is a nice range, but does suffer from some distortion and corner softness for sure. En effet combiné avec le Tomshot360, un A6000 et un trépied léger il représente une solution très portable et très qualitative, The Zeiss Touit 12mm F2.8 (980 euros) had very good optical performances but at a hefty price, Le Zeiss Touit 12mm F2.8 (980 euros) a très bonnes performances optiques mais à un coût exorbitant, Well at 150 euros , this 7artisans F2.8 Fisheye is a bargain if you are looking for a lens with a 180° field of view, On the downside colors are systematically too dark and saturated and require some corrections, A 150 euros , ce 7artisans F2.8 Fisheye est une affaire si vous cherchez une optique avec un angle de vue de 180°, Dans les points négatifs on retiendra surtout le rendu des couleurs trop saturé et très sombre qui nécessitera une correction systématique des ombres, The Sony 10-18mm F4 (700 euros) is the only wide angle zoom available for Sony APS-C camera, Its zoom range is equivalent to a 15-27mm in full frame. @metalmickey_camera α7III + Summilux 50mmF1.4 + Fotodiox LM-SnyE-Pronto - #mirrorlesscamera #mirrorlessgeeks #cameragear #camerageek #mirrorlessgeeks #camerasetup #camera #sonyimages #sonyalphasclub #sonyalpha #sonyphotography #sonyphotogallery #sonyalpharumors #sonyalphagear #SonyPhotoGallery #SonyAlphasClub #SonyMirrorless #sonyalphaphotos #sony #sonyalphauniverse #sonyalphaclub , @metalmickey_cameras #SonyA7RIV + Fastax-Raptar 50mmF2 - #mirrorlesscamera #mirrorlessgeeks #cameragear #camerageek #mirrorlessgeeks #camerasetup #camera #sonyimages #sonyalphasclub #sonyalpha #sonyphotography #sonyphotogallery #sonyalpharumors #sonyalphagear #SonyPhotoGallery #SonyAlphasClub #SonyMirrorless #sonyalphaphotos #sony #sonyalphauniverse #sonyalphaclub , @lethausonline www.lethausonline.com ______ . Leather Wrist Strap, 0 Genuine Leather & Handmade ____________ Sony A7R2 & Mamiya Sekor 80mm f2.8 Lens ________ . .#leathercraft #fujifilm #wriststraps #leather #leatherstrap #sonyalpha #nikon #canon #olympus #panasoniclumix #xt3 #lethausonline #x100f #vintagecamera #vintagestrap #leica #strap #a7rii #a7rm2 #elegantcamera #sportivestrap #streetphotography #mamiya645 #mamiya80mm #fashionphotography #handmade #genuineleather #handmade #handcraft #xpro2, The new #Tamron 70-300mm FE lens - #mirrorlesscamera #mirrorlessgeeks #cameragear #camerageek #mirrorlessgeeks #camerasetup #camera #sonyimages #sonyalphasclub #sonyalpha #sonyphotography #sonyphotogallery #sonyalpharumors #sonyalphagear #SonyPhotoGallery #SonyAlphasClub #SonyMirrorless #sonyalphaphotos #sony #sonyalphauniverse #sonyalphaclub , Hands-on with the new #SonyA7c by Mobile01 - #mirrorlesscamera #mirrorlessgeeks #cameragear #camerageek #mirrorlessgeeks #camerasetup #camera #sonyimages #sonyalphasclub #sonyalpha #sonyphotography #sonyphotogallery #sonyalpharumors #sonyalphagear #SonyPhotoGallery #SonyAlphasClub #SonyMirrorless #sonyalphaphotos #sony #sonyalphauniverse #sonyalphaclub , RUMOR: Sony is going for the Canon EOS-R5 kill: New Sony A9x camera with ~50 Megapixel and 8K30p video is coming in Q1 2021. Le Sigma 56mm F1.4 DC DN Contemporary est parmi les meilleure optiques disponibles en Sony APSC et la meilleure pour le portrait. 1.1 Le capteur de 24Mpix sur la série Sony A6xxx, At this grade you exploit the full potential of the 24Mpix APS-C sensor, Everything is tack sharp even on a 100% Crop with excellent contrast, Very few lenses will achieve this grade on the entire frame, At this grade you reach excellent results , it is only by comparing to an outstanding lens that you can see that you can do a little bit better, At this grade you still get very good result but expect the start of some softness when viewing a 100% crop of 24Mpix, Typically some Excellent prime will fall in this category when used Wide open, At this grade the image is still good when viewed globally but lack sharpness when viewed at 100%, Those lenses can barely achieve very good results when aperture is closed down and in general they are not even on the entire frame, Those give bad results when viewed at 100%, Only Ok for TV viewing , computer if not zoom in. Note how the Loxia lens below has the heavy duty rubber gasket sealing the back of the lens when mounted to the camera: Sharpness – Sharpness of lenses is usually scored from corner to corner. We can however, make a small commission if you click a product link that your interested in. Aperture = Size of the lens diaphragm when set to a given aperture. The Laowa 9mm is made of compromise , the price tag is high for an APS-C lens (620 euros) but it deliver excellent sharpness (better than The Sony 10-18mm for APS-C) and no distorsion. Fast Wide Angle: Zeiss Batis 25mm f/2 Small and light as a lens cap, you can blur the background on the cheap, and the image quality is surprisingly good too. Lors d’un test à l’aveugle beaucoup ont cru voir un A7III avec un 85mm, The Sigma 60mm F2.8 DN (200 euros) is a very good lens with excellent sharpness & a very good color rendition, For portraits you will look more at the new Sigma 56mm F1.4 DC DN or the Sony E 50mm F1.8 OSS (300 euros) that both have faster aperture. Super Wide Angle: Zeiss Batis 18mm f/2.8 Each lens has many lens elements inside and the better quality elements cost more money to manufacture. The Samyang 50mm F1.2 ED UMC CS (480 euros) is certainly the best APSC 50mm available for Sony E mount Excellent sharpness, including at F1.2 (very good) Ultra fast aperture of F1.2 Not sure if there was a design change at some time in the past. Great for hand holding with slower shutter speeds/ low light environments. When you make the cameras cheap, lenses should also be. PZ = Powerzoom Feature – This is an awesome feature that some lenses include which is particular awesome for video in my opinion. Il peut complémenter le zoom du kit 16-50mm ou un 16-70mm F4. 135mm is the weakest especially for the corners, For the price I would have expected a better build quality (all plastic), Aperture si quite small : F5 as of 50mm, F5.6 as of 70mm, The lens is quite compact (88mm) and light (326gr), The minimum focusing distance of 45cm is handy and allow for some “macro” shot, The distorsion is huge below 35mm, fortunately it is completely corrected in the body for jpg and video or in Lightroom (for raws), Lens fall off , distorsion and CA low or that can be corrected automatically, Sharpness is very good to excellent including in the corners , much better than the Sony pancake at a fraction of the cost (, sharpness is excellent and very consistent centre to corners, very Good bokeh and background blur effects, distorsion is visible especially in video, CA are visible wide open as well as significant lens fall off, Fast aperture of F1.2 perfectly usable with good sharpness, Exceptional sharpness as of F2.8 and good at f1.2, its a complete transformation witch much higher quality, Very good (F1.4) to excellent sharpness (F2), Excellent Bokeh and beautiful soft background blur, Beautiful transition between in focus area and background blur (quite soft and poetic), Excellent sharpness, including at F1.2 (very good), No distorsion, good resistance to flare and very low CA, is really superb and if you like manual focus lens, don’t hesitate 1 second, OSS : optical stabilisation is really welcome for video or in photography when you have a A6000 or A6300, Sharpness : This lens was introduced in 2011 when sensor were 16Mpix and was a very good performer at that time. Sony lenses in general are built really well, and are much better than some other brands kit lenses. Il manque juste les objectifs en monture A (avec un adaptateur) qui, d’après mon expérience, donnent plutôt de bons résultats sur un A6500. Best lenses for Sony full-frame mirrorless cameras. So don’t take the pure sharpness ranking on its own to make your choice but look at the other criteria as well, For the APSC series only 2 models have in-body stabilisation : A6500 and A6600, so people doing primarily video should first look at the optical stabilization before sharpness. , elle se concentre uniquement sur l’aspect piqué de l’objectif, Le piqué / pouvoir de résolution d’une optique est mesurée par sa capacité de différentier deux lignes ou points d’un objet. It was specially designed for mirrorless and the lens score very good to excellent in all domains. Not the case with disposable cartridges… Different lenses offer different possibilities for capturing the world, so they offer something for the money in other words, depending on your needs…. Chromatic Aberrations/ Fringing – This basically refers to the purple/red or green/blue you can see sometimes in the high contrast areas of images. May be you had a bad copy. 1: talk or opinion widely disseminated with no discernible source Hello again Rajaram and thanks for the great comments!! I also created another lens article on lenses you should check out, which is a bit older, but is really good I think…, Please let me know below and be sure to include the camera you are using as well if you don’t mind… Also, feel free to ask below if you have questions about any lens, and I will be happy to help as best I can My E-Mount Lens Guides are Here >>, Thanks for checking out this article and have a great day, Jay. The lens is not without compromise with a very important distortion for which automatic corrections should alsways be on, a small aperture at 350mm making ISO climbing fast, a medium resistance to flare and a minimum focusing distance a little bit too big, It does not reach the excellence of the Sony E 16-55mm F2.8 G in term of color rendition and bokeh but overall it is an excellent lens for the price and a very versatile telephoto lens, Le nouveau Sony 70-350 F4.5-6.3 G OSS (900 Euros) est le zoom téléphoto pro que nous attendions pour les boitiers APS-C. C’est l’équivalent de l’excellent Sony 100-400 mm mais 2,5x moins cher, Le piqué est très bon à excellent et le flou d’arrière plan est très doux à 135mm et au delà. A Little Lens Background . Manual Focus cine lenses designed for Sony E-Mount cameras covering formats up to APS-C/Super 35. Merci pour cet excellent comparatif très complet. The Meike 35f1.4 is a nice, small lens but only sharpens up towards the edges @f4. Can I suggest an astro option …these are from lonely spec website but this guy shoots sony, I know you dont do a lot of astro…but it is popular….and I shoot it a bit G Badge – Some Sony lenses have the G badge, and this just means a higher standard of build quality and optical quality was used per the manufacture (Sony) These lenses tend to be more expensive! Speed – Refers to the Max aperture of a given lens. Note that any APS-C (Sony E) lenses will have a 1.5x crop automatically applied by a full-frame camera by default. RUMOR: New Sigma 105mm f/2.8 ART FE lens will be announced by end of of the month! The Meike 35f1.8 is one of the sharpest lenses I have, even @1.4. Really looking for a zoom which can do low light crowds in pre-dawn through to bright fast moving sports. This is more noticeable on really fast glass usually when shooting at the maximum aperture (wide open). The quality and performance are excellent considering the cost in my opinion. Thank you very much, and I will add your Astro list as soon as I get a second A-mount is standard on Sony unique Translucent Mirror type camera bodies, while E-mount is used on mirrorless bodies. Wide-angle, telephoto, macro, ect.. Best Affordable Video Light? Some are built like tanks, others are built using a lot of plastic for example. I see your point though, don’t get me wrong… It sounds like what you really need is a pro grade lens or at the very least a G Badged or Zeiss badged lens. Learn how your comment data is processed. Check out the new Sony LA-EA5 Electronic Lens Adapter!! The 16-50mm kit lens has this feature, but it’s a lower quality zoom motor due to the pancake style lens. And mark the mail as "non-spam" to see the future newsletter. What kind of focal range are you looking for? Below is an example of what a fisheye lens does, basically extreme distortion for effect…. For Landscape you will need to close down to F4-5.6 to get consistent very good results, The price tag is insane for an APS-C lens for the same price you can get the full frame, The max aperture is quite modest for portrait : only F2.8, Excellent sharpness throughout the frame , with excellent performance wide open, Very good build construction and dust and waterproof resistant, a relatively small aperture of F2.8, allowing nice blurry background but not as much as with an F1.8, For portraits you will look more at the new Sigma 56mm F1.4 DC DN or the, (300 euros) that both have faster aperture, Excellent sharpness in the centre at from F2.8 to F8, Very good , soft and pleasant blurry background, Long course for focusing 270° and good dampening, The new Sony 70-350mm F4.5-6.3 G OSS (900 euros) is the professional photo zoom we needed for Sony APSC cameras. Perfect for vacations and travel when switching lenses is not desirable…. I decided to write this article to help those lost in the mountain of possible lens options. full frame Usually in the corners it’s more noticeable, and particularly on wide angle lenses I find. and don’t forget you can use any of the full frame lenses on a A6xxx including a Sony FE 200-600mm F5.6-6.3 G OSS ! RUMOR: New Sony A7c: yes it has a 24MP sensor and comes with a new compact pancake zoom kit lens, CONFIRMED: The next new Full Frame E-mount compact camera will be named “Sony A7c”, RUMOR: Sony is going for the Canon EOS-R5 kill: New Sony A9x camera with ~50 Megapixel and 8K30p video is, RUMOR: No more new E-mount cameras announcement this year (no A7IV) but there will be a new E-mount lens announcement. Sony lenses in general are expensive, no question. Bargain: Sony FE 50mm f/1.8 (stopped to f/2.8) It’s powerful, beautifully designed and comes with everything you need to engage your visitors and increase conversions. All lenses suffer from this, but the super high quality lenses maintain sharpness from corner to corner really well usually. You may wonder why a lens is so expensive, or why a certain focal length is good for certain types of photography and so fourth. #1 choice for best all-in-one option- Priority = Photography and High Quality, #1 choice for best all-in-one option – Priority = Video + Photography L’objectif est sorti en 2013 et depuis lors les concurrents ont sorti de meilleures optiques (voir plus bas), The Kamlan 50mm F1.1 II 250 euros (200 euros on Kickstarter) is a Excellent manual portrait lens, Compared to the V1 tested here, its a complete transformation witch much higher quality. You best possible option would be the FE 70-200mm f/2.8 GM OSS Lens, and it is far from cheap. Sony only offers two dedicated APS-C telezooms, the budget-friendly E 55-210mm and premium E 70-350mm G. The Best Telephoto Lenses (APS-C) Sony E 55-210mm F4.5-6.3 OSS Review I can tell you from many years of personal and professional experience, the cost does usually indicate the quality. Many other criteria needs also to be considered before choosing a lens : AF accuracy and speed, Bokeh, background blur, color rendition , CA , resistance to flare, distorsion …. RUMOR= Rumor I got from more solid sources (51-90% it’s correct), WILD RUMOR= Totally unverified and therefore unreliable rumor (10-50% chance it’s correct). SonyAlphaRumors is participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for us to earn fees by linking to Amazon.com and affiliated sites. Jay. Thanks again, Sony A7c officially announced: It’s the worlds smallest FF system camera with EVF, Just announced: New Samyang AF 35mm F1.8 FE lens. Lens Coatings – Helps prevent glare, increases contrast, and provides better color renditions. This is also totally understandable, but have no fear asking questions here!! (Click Here)Shopping @ Amazon? Fisheye avec projection stéréographique et remplissage de tout le champ de l’image, Très beau flou d’arrière plan et très beau rendu des couleurs, Pas d’aberrations chromatique ou de flare, Prix raisonnable (519 euros) au vu de sa qualité et promo régulière qui le mette à 400 euros, Pas d’aberrations chromatiques ou de flare, Il offre une projection stéréographique qui permet d’obtenir des lignes droites avec un correcteur de fiche comme le Hemi plugin, La bague d’ouverture sans clics est un plus en vidéo, Excellent piqué sur tout le champ avec déjà de bonnes à très bonnes performances à pleine ouverture, Rendu des couleurs convenable mais légèrement fade, Prix relativement élevé mais OK pour la qualité proposée, Aberrations chromatiques à pleine ouverture, Bague de zoom très agréable et permettant un zoom progressif sans à coups, Très bonne ergonomie avec ces différents boutons, Coins bons lorsque l’on ferme le diaphragme, Vignettage et distorsion corrigé automatiquement, Excellent piqué sur tous le champ à toutes les focales et ce dès la pleine ouverture. If you can deal with the heavy vignetting in post production and shoot mainly landscape or external architecture (no field curvature issue) then it can produce stunning images, For indoor architecture , you will need to use it at F8 to avoid the field curvature issue. Sony Camera Showdown | A7s III vs FX9 vs ZV-1, Sony FE 24-105mm F/4 G OSS Lens – Lab Testing with Sony A7R IV, Sigma 105mm f/1.4 DG Lens – Lab Testing with Sony A7R IV, Sony A7R IV Tutorial – Exposure, Aperture, Shutter Speed, Manual Mode, and Bulb Mode Explained, Sony Firmware Update Tutorial using A7R IV, Sony A7R IV – Beginners Guide – How-to Set-up and Use the Camera For New Users…, Understanding Aperture tutorial for a more detailed explanation >>, My In Depth Review of the 16-70mm ZA Lens is Here >>, My In Depth Review of the 18-105mm PZ G Lens is Here >>, My Sony E 18-135mm f/3.5-5.6 OSS Lens Review >>, My In Depth Review of the 18-200mm PZ OSS Lens, My In-Depth Review of the 10-18mm f/4 OSS Lens is here >>, Tons of sample photos via the a6300 Review >>, My Zeiss Touit 12mm f/2.8 Lens Review is Here >>, My Review of the Sigma 16mm f/1.4 DC DN Lens >>, My In-Depth Review of the Sigma DN Lenses is Here >>, My Review of the 20mm f/2.8 Pancake Lens >>, 24mm f/1.8 ZA E-Mount Carl Zeiss Sonnar Lens, Sony E 16mm f/2.8 Pancake Lens Review Here >>, Sony E 16 and 20mm wide angle and fisheye conversion lenses review >>, My 56mm f/1.4 DC DN Lens Review is Here >>, My In-Depth Review of the 50mm f/1.8 OSS Lens is Here >>, My In-Depth Review of the Sigma DN Lenses Here >>, My Review of the Sony 35mm f/1.8 OSS Lens >>, My In Depth Review of the 18-200mm LE lens is Here>>, My Review of FE 70-300mm f/4.5-5.6 G OSS Lens >>, My Review of the 90mm f/2.8 G OSS Macro Lens >>, Yasuhara Nanoha Macro Lens 5:1 magnification, Sony 16mm f/2.8 Pancake Lens w/ optional Lens Converters Review Here >>, lens article on lenses you should check out, My Sony FE 24-105mm f/4 G OSS Lens Review – Lab and Real World, Sigma 85mm F/1.4 DG DN Lens Vs Sony 85mm F/1.4 GM Lens Review, My Sony FE 200-600mm G OSS Lens Review using Sony A6600. Only Sony lenses offers the OSS (Optical steadyshoot) among APSC lenses, La série des Sony A6xxx (du A6000 au A6600) partagent tous un capteur de 24Mpix, comparé au A7RIII (42Mpix) ou le A7RIV (61Mpix) cela peut sembler peu mais la densité de pixels est très élevé car elle est sur une surface deux fois moins élevée que sur un capteur plein format, Le seul capteur qui a une densité plus élevée est celui du A7RIV avec une zone APSC de 26Mpix, Donc bien que la gamme APSC se situe “en dessous” de celle des A7/A9 , elle requiert des optiques de très haut niveau pour exploiter pleinement les 24Mpix du capteur.
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